Saturday 16 July 2011
Session 5A: Experimentation in/and/or performance
- Kathleen Coessens (moderator) with William Brooks, Juan Parra Cancino, Alessandro Cervino, Darla Crispin, Paulo de Assis, Anne Douglas, Catherine Laws, Stefan Östersjö & Luk Vaes Research performance, performing research: through the lens of experiementation (special session) (text; slides)
- Anthony Gritten
The problem with performing - Paulo de Assis
Interpretation versus experimentation: exploring new paths in music performance
Session 5B: Learning/pedagogy
- Kumaran Arul
Aural modelling and performance pedagogy: theory and practice - Jane Ginsborg & Helen Prior
First encounters of the musical kind: strategies for learning music (slides) - Renee Timmers, Makiko Sadakata & Peter Desain
Creative strategies in the exploration of ornament performance with and without visual feedback on performance timing (slides) - Sophie Grimmer
Creativity in perpetual motion: a perspective from South India (published in the CMPCP/PSN special issue of Music Performance Research)
Session 5C: Cross-cultural/multimedia performance
- Lynda Paul
Performing perfection: musical process in Cirque du Soleil’s Las Vegas shows - Valerie Ross
Challenges faced by performers of cross-cultural music (text)
Session 5D: Jazz in history
- Catherine Tackley
Comparative analysis of two numbers from Benny Goodman’s 1938 Carnegie Hall concert - Andrew Blake
Innovation in performance, or commercial category? The almost forgotten case of jazz-rock
Session 6A: The performer in performance
- Leslie Anne Lewis
The impact of shared leadership, memory and cognition on orchestral performance: the Britten Sinfonia as a case study - Mine Doğantan-Dack
The art and science of research in live performance (published in the CMPCP/PSN special issue of Music Performance Research) - Darla Crispin
Towards ethical coherence through creatively embodied musical performance - Helena Marinho & Sara Carvalho
Ritual in the context of contemporary music performance (text)
Session 6B: Performance in/and history
- Ingrid Pearson
Orality and literacy: historical performance in the twenty-first century - Michael Callahan
Plans, paths, and detours: an approach to long-range form in baroque keyboard improvisation (published in the CMPCP/PSN special issue of Music Performance Research) - David Chung
Creativity in French keyboard music, 1650s-1770s - Anthony Rooley (with Evelyn Tubb)
ALCHEMY IN PERFORMANCE: transFORMation and perFORMance
Session 6C: Ensemble performance
- Amanda Bayley & Beth Elverdam
Rehearsal analysis of Finnissy’s Third String Quartet (text 1; text 2; text 3) - Clemens Wollner
Feeling with you: expressiveness and empathy in string quartet performance - Nancy November
The string quartet and the ideal of ‘selfless’ performance - Elaine King
The development of creative relationships in music ensembles (research report)
