Friday 5 April 2013
Session 3A: Embodiment
- Marilyn Wyers
Shaping phrase: exploring dance movement-supported learning and advanced pianistic-training - Linda T. Kaastra and David Kirsh
Embodied creativity in bassoon performance (text) - Murphy McCaleb
Embodied knowledge: the case of ensemble performance
Session 3B: Belief in performance (CMPCP session)
- Mary Hunter
The classical performer’s conception of self - Daniel Leech-Wilkinson and Helen Prior
Heuristics for expressive performance (text; slides) - Victoria Tzotzkova
Permanence and transience: musings on creative practice, classical music performance, and the ‘work-concept’ through the lens of critical ethnography - Stephen Emmerson
Re-imagining the Goldbergs
Session 3C: Practice, rehearsal, experimentation
- Mieko Kanno
The art of combinatoriality - Amanda Bayley and Beth Elverdam
Rehearsal as creative process (text; slides)
(Third String Quartet by Michael Finnissy © Oxford University Press 2012. Extracts reproduced by permission. All rights reserved.) - Alfonso Benetti Jr
Expressivity and musical performance: practice strategies for pianists (text) - Darla Crispin
A capture en passant? Of Arnold Schoenberg’s creative ‘gambits’ in his keyboard works as a locus for the emergence of new epistemic things
Session 4A: Reading notation, scores, works
- Paulo de Assis
On the epistemic complexity of musical ‘works’ - Richard Hoadley
Live, algorithmically generated notation, creativity and performance (slides) - Per Dahl
Music reading as creative practice in music performance (text)
Session 4B: Modelling touch
- Naomi Waltham-Smith
Modelling touch in musical performance using the iPad
Session 4C: Analysis and/or performance
- Elaine Chew
The tipping point analogy for musical timing slides (slides; video) - John Paul Ito
Performing metrical dissonance
Session 4D: Auditory streaming
- Edward Wickham, Christopher Fox, Sarah Hawkins, Antje Heinrich and The Clerks
Special session: Studies in auditory streaming
Session 4E: Experiencing sound
- Julie Brown
Kinema and/or concert hall (slides) - Lynda Paul
The performance of virtual tourism: sonic shaping of simulated worlds
Session 4F: Electronic/electroacoustic music
- Jean Penny, Valerie Ross and Andrew Blackburn
Electroacoustic music as intercultural exploration: synergies of breath in extended western flute and Malaysian nose flute playing (text) - Sean Williams
LLEAPP workshops in collaborative creative practice