Sunday 20 July 2014

Session 7A: The intercultural and the virtual

• Jean Penny
  Unravelling intercultural knowledge through performative contexts: an insider’s account
• Vincent Meelberg
  The musical performativity of a cursor: embodied creativity in performing with music software (text)
• Freya de Mink
  Prodigies within the virtual world of YouTube (text)

Session 7B: Orchestral performance (CMPCP session)

• Katharine Parton
  Object-directed gesture as epistemic stance: a case study of orchestral conductor interaction with the printed musical score during rehearsal
• Mekala Padmanabhan
  Creative practices and narrative significance: keyboard instruments in Tamil film orchestras
• Eldad Tsabary
  Whatever works: musical communication in the context of interdisciplinary, networked laptop orchestra (slides)

Session 7C: Performance analysis

• Elad Liebman, Eitan Ornoy and Benny Chor
  A phylogenetic approach to music performance analysis
• Katerina Kosta and Oscar Bandtlow
  Dynamics in performance as context-dependent
• Sylvain Caron, Caroline Traube and Sebastien Bel
  Comparative analysis of expressive timing variations in eleven performances of a Scarlatti sonata

Session 7D: Plenary session

• Andrew Blackburn, Jeremy Thurlow and Daniel Halford
  Ceci n’est pas une pipe – human, mechanical, digital; treachery and collaboration